GEN 23811
EAN: 4260036258110 |
5.1.2023 |
| Alma Mahler (1879–1964) |
|
| Die stille Stadt (1900–01) |
 |
| Alma Mahler (1879–1964) |
|
| Waldseligkeit (1901–11) |
|
| Alma Mahler (1879–1964) |
|
| Ansturm (1901–11) |
|
| Alma Mahler (1879–1964) |
|
| Lobgesang (um 1900) |
|
| Erich Wolfgang Korngold (1897–1957) |
|
| Unvergänglichkeit op. 27 (1933) |
|
| Unvergänglichkeit |
|
| Das eilende Bächlein |
|
| Das schlafende Kind |
|
| Stärker als der Tod |
|
| Unvergänglichkeit |
|
| Richard Strauss (1864–1949) |
|
| Hoffen und wieder verzagen op. 19/5 (1888) |
|
| Richard Strauss (1864–1949) |
|
| Wenn... op. 31/2 (1895–96) |
|
| Richard Strauss (1864–1949) |
|
| Stiller Gang op. 31/4 (1895–96) |
|
| Richard Strauss (1864–1949) |
|
| Befreit op. 39/4 (1898–99) |
|
| Richard Strauss (1864–1949) |
|
| Nachtgang op. 29/3 (1895) |
|
| Richard Strauss (1864–1949) |
|
| Geduld op. 10/5 (1885–87) |
|
| Richard Strauss (1864–1949) |
|
| Schön sind, doch kalt die Himmelssterne op. 19/3 (1888) |
|
| Richard Strauss (1864–1949) |
|
| Mein Herz ist stumm, mein Herz ist kalt op. 19/6 (1888) |
|
| Alexander von Zemlinsky (1871–1942) |
|
| Sechs Gesänge op. 13 (1910/13) |
|
| Die drei Schwestern |
|
| Die Mädchen mit den verbundenen Augen |
|
| Lied der Jungfrau |
|
| Als ihr Geliebter schied |
|
| Und kehrt er einst heim |
|
| Sie kam zum Schloss gegangen |
|
| |
|
|
Seelenübervoll – Overflowing With Soul
Lieder by Alma Mahler, Erich Wolfgang Korngold, Richard Strauss, and Alexander von Zemlinsky Friederike Sieber, Piano
Julia Moorman, Soprano
Amelie Petrich, Soprano
Nora Steuerwald, Mezzosoprano
Michael Porter, Tenor
Marcel Brunner, Bass-baritone
In stock, shipping in 1-2 days.
We offer free shipping!
Please read our General Terms and Conditions and Privacy Statement carefully.
   
 
The debut CD of pianist Friederike Sieber Seelenübervoll is featuring lieder from the late Romantic period and works by Alma Mahler, Erich Wolfgang Korngold, Richard Strauss, and Alexander von Zemlinsky are performed. This production of five outstanding young singers resurrects the musical salon’s idea and gifts us a wealth of rarely performed songs. The turn of the century 1900 was a time “brimming” with sensation and an exuberant soul: the exceptional young performers enable us to feel extreme emotional states through their interpretations, which tell of an extraordinary and artistically fruitful epoch.
|
|
