GEN 21728
EAN: 4260036257281 |
9.4.2021 |
| Thomas Baltzar (um 16311663) |
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| Prelude |
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| Nicola Matteis (um 16501714) |
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| Passaggio Rotto, Andamento Veloce e Fantasia a Violino solo senza basso |
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| Johann Paul von Westhoff (16561705) |
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| Suite in a-moll |
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| Allemande |
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| Courante |
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| Sarabande |
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| Gigue |
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| Arcangelo Corelli (16531713) |
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| Prelude in A |
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| Giuseppe Torelli (16581709) |
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| Prelude in e |
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| Johann Georg Pisendel (16871755) |
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| Sonata à Violino solo senza Basso a-moll |
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| ohne Satzangabe |
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| Allegro |
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| Giga. Variationen |
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| Arcangelo Corelli |
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| Prelude in D |
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| Nogueira-Manuskript (um 1720) |
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| Fantezia in D |
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| Johann Joseph Vilsmayr (1663-1722) |
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| Partita I A-Dur |
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| Prelude. Harpeggio |
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| Aria |
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| Saraband |
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| Gavott |
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| Menuett |
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| Aria |
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| Menuett |
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| Aria |
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| Menuett |
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| Gigue (Presto). Final |
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| Nogueira-Manuskript |
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| Preludio et Fantezia in F |
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| Thomas Baltzar |
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| Allemande |
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| Henry Purcell (16591695) |
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| Prelude in g |
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| Heinrich Ignaz Franz Biber (16441704) |
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| Passacaglia (aus den Rosenkranzsonaten) |
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Senza Basso Auf dem Weg zu Bach
Works by Baltzar, Matteis, Westhoff, Torelli, Corelli, Vilsmayr, Pisendel, Purcell and Biber Nadja Zwiener, Violin
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Johann Sebastian Bach is commonly understood as the starting point of the violin repertoire. But there was unaccompanied violin music before him, tooand it is truly exciting! The renowned baroque violinist Nadja Zwiener presents this music with her solo debut album on GENUIN. Her inspired recording shows that Bach was able to build his repertoire on a great foundation: Composers such as Johann Georg Pisendel, Johann Westhoff, and even Arcangelo Corelli and Giuseppe Torelli wrote highly challenging works for the incredibly versatile instrument. The concertmistress of the English Concert and the Gaechinger Cantorey takes us on a fascinating journey.
Nadja Zwiener is nominated for Instrumentalist of the Year and Soloist Recording of the Year for Opus Klassik 2022
Early Music Reviews
"The attractive acoustic adding a pleasent bloom to the sound whilst allowing individual notes to shine through. The playing is beautifully sensitive",
Andrew Benson Wilsons' Early Music Reviews, April 28, 2021
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