Mily Balakirev (1837–1910) |
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from Ten Romances. For Voice and Piano, No. 4 (1895/96) |
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Lorsque les blés dorés. Mélodie |
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Alexander Borodin (1833–1887) |
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from Four Romances. For Voice and Piano, No. 3 (1870) |
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Mon chant est amer et sauvage |
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Nikolai Rimsky-Korsakov (1844–1908) |
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from Four Romances, Op. 2. For Voice and Piano, No. 2 (1865/66) |
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Romance orientale |
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Nikolai Rimsky-Korsakov |
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from The Golden Cockerel, Scene from Act 2 (1906/07) |
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Chez la reine de Chémakhâ |
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Modest Mussorgsky (1839–1881) |
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from Piece for Piano (1880) |
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Une larme |
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Pyotr Ilyich Tchaikovsky (1840–1893) |
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from Serenade for Strings in C major, Op. 48, 3. movement (1880) |
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Elégie |
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Pyotr Ilyich Tchaikovsky |
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from Serenade for Strings in C major, Op. 48, 2. movement (1880) |
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Valse |
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Pyotr Ilyich Tchaikovsky |
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from Six Duets, Op. 46. For Soprano, Mezzo-soprano and Piano, No. 3 (1880) |
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Les larmes |
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Pyotr Ilyich Tchaikovsky |
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from Six Romances, Op. 6. For Voice and Piano, No. 2 (1869) |
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Pourquoi tant de plaintes |
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Pyotr Ilyich Tchaikovsky |
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from The Seasons, Op. 37a. For Piano, No. 3 (1876) |
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Chant de l’alouette |
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Anton Arensky (1861–1906) |
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from Quatre Morceaux, Op. 30. For Violin and Piano, No. 2 (1894) |
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Sérénade |
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Sergei Rachmaninoff (1873–1943) |
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from Six moments musicaux, Op. 16. For Piano, No. 3 (1896) |
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Moment musical |
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Vladimir Rebikov (1866–1920) |
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from The Christmas Tree, Op. 21. Fairy Tale in one act. Waltz for Piano (1901) |
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Valse |
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Nikolai Tcherepnin (1873–1945) |
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from Five Romances, Op. 22. For Voice and Piano, No. 1 (1904) |
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Mélodie |
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Reinhold Glière (1875–1956) |
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from Douze Pièces Enfantines, Op. 31. For Piano, No. 2 (1907) |
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Nocturne |
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Joel Engel (1868–1927) |
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from Two Romances, Op. 2. For Tenor, Mezzo-soprano, Violoncello and Piano, No. 2 (1903) |
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Duo. Oh non, pour ma beauté |
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Leonid Nikolayev (1878–1942) |
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from Two Romances after Fyodor Tyutchev, Op. 4. For Voice and Piano, No. 1 (1907) |
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Calme est la nuit |
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Henryk Pachulski (1859–1921) |
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from Four Préludes, Op. 21. For Piano, No. 3 (1905) |
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Prélude |
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Georgy Catoire (1861–1926) |
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from Trois Morceaux, Op. 2. For Piano, No. 1 (1888) |
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Chant Intime |
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Nikolai Medtner (1880–1951) |
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from Three Tales, Op. 9. For Piano, No. 2 (1904/05) |
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Conte |
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Leonid Sabaneev (1881–1968) |
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from Deux Morceaux, Op. 5. For Piano, No. 2 (1910) |
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Prélude |
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Igor Stravinsky (1882–1971) |
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from The Firebird. For Orchestra, No. 17 (1911) |
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Berceuse |
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Igor Stravinsky |
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from The Firebird. For Orchestra, No. 10 (1911) |
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Corovod (Ronde des Princesses) |
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Alexander Scriabin (1872–1915) |
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from Trois Morceaux, Op. 2. For Piano, No. 1 (1889) |
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Étude |
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Alexander Scriabin |
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from Two Nocturnes, Op. 5. For Piano, No. 2 (1890) |
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Nocturne |
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