| Mily Balakirev (1837–1910) |
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| from Ten Romances. For Voice and Piano, No. 4 (1895/96) |
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| Lorsque les blés dorés. Mélodie |
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| Alexander Borodin (1833–1887) |
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| from Four Romances. For Voice and Piano, No. 3 (1870) |
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| Mon chant est amer et sauvage |
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| Nikolai Rimsky-Korsakov (1844–1908) |
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| from Four Romances, Op. 2. For Voice and Piano, No. 2 (1865/66) |
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| Romance orientale |
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| Nikolai Rimsky-Korsakov |
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| from The Golden Cockerel, Scene from Act 2 (1906/07) |
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| Chez la reine de Chémakhâ |
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| Modest Mussorgsky (1839–1881) |
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| from Piece for Piano (1880) |
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| Une larme |
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| Pyotr Ilyich Tchaikovsky (1840–1893) |
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| from Serenade for Strings in C major, Op. 48, 3. movement (1880) |
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| Elégie |
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| Pyotr Ilyich Tchaikovsky |
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| from Serenade for Strings in C major, Op. 48, 2. movement (1880) |
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| Valse |
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| Pyotr Ilyich Tchaikovsky |
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| from Six Duets, Op. 46. For Soprano, Mezzo-soprano and Piano, No. 3 (1880) |
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| Les larmes |
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| Pyotr Ilyich Tchaikovsky |
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| from Six Romances, Op. 6. For Voice and Piano, No. 2 (1869) |
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| Pourquoi tant de plaintes |
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| Pyotr Ilyich Tchaikovsky |
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| from The Seasons, Op. 37a. For Piano, No. 3 (1876) |
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| Chant de l’alouette |
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| Anton Arensky (1861–1906) |
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| from Quatre Morceaux, Op. 30. For Violin and Piano, No. 2 (1894) |
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| Sérénade |
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| Sergei Rachmaninoff (1873–1943) |
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| from Six moments musicaux, Op. 16. For Piano, No. 3 (1896) |
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| Moment musical |
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| Vladimir Rebikov (1866–1920) |
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| from The Christmas Tree, Op. 21. Fairy Tale in one act. Waltz for Piano (1901) |
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| Valse |
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| Nikolai Tcherepnin (1873–1945) |
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| from Five Romances, Op. 22. For Voice and Piano, No. 1 (1904) |
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| Mélodie |
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| Reinhold Glière (1875–1956) |
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| from Douze Pièces Enfantines, Op. 31. For Piano, No. 2 (1907) |
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| Nocturne |
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| Joel Engel (1868–1927) |
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| from Two Romances, Op. 2. For Tenor, Mezzo-soprano, Violoncello and Piano, No. 2 (1903) |
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| Duo. Oh non, pour ma beauté |
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| Leonid Nikolayev (1878–1942) |
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| from Two Romances after Fyodor Tyutchev, Op. 4. For Voice and Piano, No. 1 (1907) |
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| Calme est la nuit |
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| Henryk Pachulski (1859–1921) |
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| from Four Préludes, Op. 21. For Piano, No. 3 (1905) |
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| Prélude |
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| Georgy Catoire (1861–1926) |
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| from Trois Morceaux, Op. 2. For Piano, No. 1 (1888) |
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| Chant Intime |
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| Nikolai Medtner (1880–1951) |
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| from Three Tales, Op. 9. For Piano, No. 2 (1904/05) |
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| Conte |
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| Leonid Sabaneev (1881–1968) |
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| from Deux Morceaux, Op. 5. For Piano, No. 2 (1910) |
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| Prélude |
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| Igor Stravinsky (1882–1971) |
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| from The Firebird. For Orchestra, No. 17 (1911) |
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| Berceuse |
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| Igor Stravinsky |
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| from The Firebird. For Orchestra, No. 10 (1911) |
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| Corovod (Ronde des Princesses) |
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| Alexander Scriabin (1872–1915) |
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| from Trois Morceaux, Op. 2. For Piano, No. 1 (1889) |
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| Étude |
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| Alexander Scriabin |
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| from Two Nocturnes, Op. 5. For Piano, No. 2 (1890) |
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| Nocturne |
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