Homepage
Recording Philosophy
Label Philosophy
New Releases
Genuin News
Links
Team
Contakt
New Releases
Genuin Editions
Genuin CD Catalogue
Search Genuin CDs
GEN 17486 8.9.2017
18.90 €

Alpenland  
Allerseelen Jodler
Tanz aus dem Balkanraum  
Turceasca
Allessandro Stradella (1639–1682)  
Aria di Chiesa
Irische Volksmelodie  
A Londonderry Air
Indische Improvisation  
Raga
Schottisches Volkslied  
Bonny at morn
Ruben B. Calderon (*1984)  
Lamento Mexicano
Johann Sebastian Bach (1685–1750)  
Sonate Nr. 2 a-Moll für Violine solo, BWV 1003
Andante
Rezsö Seress (1899–1968)  
Gloomy Sunday
Alexander F. Müller (*1987)  
Westafrikanischer Totentanz
Hede nyuie
Reinhold Glière (1875–1956)  
Huit Morceaux op. 39
Berceuse
Ciprian Porumbescu (1853–1883)  
Ballade für Piano und Violine
Andante flébile
Deutsches Volkslied  
Dort oben an der himmlischen Tür
Mathias Rehfeldt (*1986)  
Nach Motiven eines indonesischen Totenrituals
Totentanz
Nordamerikanisches Volkslied  
St. James Infirmary
Nach einem Gedicht von Akaki Zereteli (1840–1915)  
Suliko
Astor Piazzolla (1921–1992)  
Oblivion
   

Funeralissimo


A lively tribute to funeral music of different cultures

In stock, shipping in 1-2 days.
- no shipping costs! -

The violinist Julia Fischer pays tribute to her musical godchild Matthias Well, the 2017 winner of the Fanny Mendelssohn Sponsorship Prize, in the preface to his GENUIN debut CD: She writes about his cheerfulness, his artistic seriousness, and his inquiring mind–all characteristics that breathe in Wells CD "Funeralissimo" from the very first moment to the very end. And it is a CD that tells the story of the cessation of breath, bringing together funeral music from all epochs and continents. Music that is always at the edge of the unspeakable, unplayable, incomprehensible—and therefore comes across as being so alive. A CD that goes beyond all norms in every respect—absolutely worth listening to!



Pizzicato
"Matthias Well takes the listener on a journey through various countries and regions to explore the diversity of funeral music. He develops a genuine feeling for the various colours and rhythms, so that the listener doesn’t even have to follow the track list to realize in which part of the world Well is just playing."
Review by Remy Franck, Pizzicato magazine